I particularly enjoyed their concern that Hagrid is entering Santa’s reputational space.

[edit] looks like George Lucas didn’t appreciate the copyright infringement!

This video was created as an official response to the Newsweek article calling Grand Rapids a “dying city.” We disagreed strongly, and wanted to create a video that encompasses the passion and energy we all feel is growing exponentially, in this great city.

It’s fantastic publicity for the tracking software used, Hidden. Had this been a deliberate PR stunt, it would have been genius.

Be sure to choose your childhood postcode.

link via the next web

If they didn’t, then credit is still due to them as a testamant to the power of their campaign idea

Google must be thinking very hard tonight.

ITV’s X-Factor are doing this especially well. By crafting provocative, open-ended questions and posting them while the programme is on air, they are tapping into increasingly popular TV+laptop behaviour and creating real-time water cooler moments. I saw one thread about the twins have over 10,000 comments in it. That sort of engagement has never been possible until now.

Unlike email newsletters, publishing content onto fan pages can and should be done quite regularly – certainly at least once a day.

And this is where brands need to spot the danger. All new media bring new communication opportunities. You can speak to your fan base whenever you like. But just because you can doesn’t mean you should.

Just as no-one wants to receive too many (any?) emails from you, over-communicating on facebook risks flipping the consumer’s mindset from “I love your brand!” to “hmmm… stop talking all the time. You are so needy.”

Clinginess is the new spam

It’s to the eternal credit of my then manager, Jason Nicholas, that he signed off a £25k budget to investigate further. Over the following months, I worked with great people at Ogilvy & Mather (especially Saul Klein) to create Guinness’ first website. We didn’t have the brand domain, so it was hosted at the clunky URL of http://www.itl.net/guinness (sadly not captured on archive.org’s wayback machine). We stretched the limits of  Mosaic/Netscape to offer not only images (woo) of a pint, but also an animated gif (double woo!!) of, er, a spinning globe. We even put that address on a TV ad.

But by far the most successful and illuminating piece of work was the Guinness Screensaver. As a format, screensavers went on to be be hackneyed quite quickly, but at the time it was wildly original. It’s not too much of a brag for it to lay claim to being one of the first pieces of viral marketing.

Guinness had just launched a new ad, Anticipation featuring a guy dancing round a pint to infectious mambo music.  The idea was to bring to life his inner excitement while waiting for the pint to settle and be ready to drink. It was fresh and wildly popular.

O&M created the screensaver and we put it on the website. But back then, very few people had internet access and this file was a mammoth 1.3 megabytes(!) In the end, we branded up hundreds of 3.5″ floppy discs and put the file on there (it just fitted, thankfully). We seeded a few to friends and colleagues and suddenly the requests came pouring in. By letter! I had a box under my desk and spent most of my day stuffing envelopes. People would take the discs and pass them around friends and colleagues. People loved having beer imagery in their workplaces. There was a point in 94/95 when it seemed every office had screens saved to Joe McKinney dancing round a pint.

[edit] thanks Leo for the screencap!
Can anyone help preserve this small piece of web/marketing history? It’d be great to screencapture it to a movie file and put it up on YouTube for posterity. The .exe file ran under Windows 3.1 and if you’d like a copy, please email me hello (at] contrarymarketing dot com or via Twitter @cslyons

a blank CD-R in a jewel case with art and liner notes. Fans can just download the music off a P2P site and burn it to the CD-R.

I’m sure this is a genuine case of label/artist differences, but if it were a PR stunt cooked up to raise awareness of the album, it’d be genius.

Imagine: once the hype around Danger Mouse’s audacious blank CD release has peaked, both parties could suddenly come to an agreement to release the album for real and cash in on the publicity.

A brilliantly inventive and talkable use of media – playing perfectly to Lost fans’ love of the unexpected.

But of course, it is anyway. And we all made it so. It’s freshness and audacity screams out to be shared.

Big brands have lost the advantage they once had on finding, sanitising and packaging youth culture for us. A big budget and well-researched ad concept is no match for authenticity and peer recommendation.

Well, they’re at it again. As reported by the splendid (and often outlandish) B3ta newsletter:

we have to salute former Nine Inch Nails drummer Josh Freese. You can download his album for $7, but the more money you pay the more additional goodies he’ll throw in. For $50 he’ll call you up and thank you personally. For $1000 the extras include him coming round your house and doing your laundry.

The full list is here. Whether this is a genuine offer or just some guff to get people talking, it works and it’s marvellous.

hidden among the images is the popular children’s book character Wally – of striped-jumper Where’s Wally? fame – in one UK location.

Simple, iconic and highly viral.

Some of this is the simple fun of working within short sentences – the Twitter equivalent of OMG! txt spk – but I think hashtags mean something more.

Hashtags allow people to join a virtual club easily and temporarily. And to leave it just as quickly. People can just dive into a conversation, make a pithy observation about the #brits and dive right out again. No need to subscribe to an email list, no forms to fill in, no facebook group to join. It can be a no-complications, one-tweet stand.

They are perfectly suited for an world where attention is ever-more scarce and people are wary of sharing personal data. But they’re also wonderful fun – the ideas flitting in and out of existence in perfect harmony with their true value and popularity.

They’re hashmemes if you like.

Right now #oscars is in vogue but once the red carpet is rolled back up, it’ll disappear as a living idea until the next time enough of us shine a torch on it.

Hashtags.org allows anyone to see what’s hot at any moment, and even includes graphs describing most hashmemes’ beautifully short lifespans.

Marketers have to work pretty hard to jump on such fast-moving bandwagons. Indeed the only way to do it is to keep running. Only if you’re already up to speed with the conversation can you expect your brand to contribute something useful and credible.

Here’s a snow sofa (or ‘snofa’) created by mydeco in Hyde Park.

And Innocent Drinks are joining in the spirit by publicising a Twitter snowball fight

The Office Flirt Test

The idea was to mash up the Excel-based quizzes doing the email rounds in those days and the “how sexy are you” questionnaires omnipresent in women’s magazines – no-one can resist finding out just how fabulous they are.

The fact that the generated flirt profile was 100% random (irrespective of the boxes ticked) just made it all the more marvellous.

Office Flirt Test was conceived and written by Jon Davie and myself. It cost £10 all-in (for the URL) and generated over ten million visits.

Disco Squirrels

The marketing team had loved the then-new breed of barmy animations doing the rounds (especially this one) and wanted to do something similar – again for Valentine’s Day . I commissioned Rob Manuel of b3ta fame to generate something that was both noticeable and loved-up. The result was the quite extraordinary Disco Squirrels…

Learnings I took from these experiences:

1. Gotta make the sender look cool
   Virals only propogate if the person emailing it thinks the recipient will think them that bit cooler for introducing them to something remarkable
2. Hard to repeat
   We tried to follow up the flirt test with something similar six weeks later. It went nowhere.
3. Keep an ear to the ground
   Good marketing always taps into emerging memes – so subscribe to lots of quirky webfeeds.
4. Push the boundaries
   Both of the ideas would never have got through blinkered management or focus groups. Sometimes you’ve just got to take a flyer. Remember – the great thing about viral marketing is that if it’s rubbish, no-one will know.
   I always loved this unhinged techno remix of the Michael Winner e-sure ad. At the time I was managing the Johnny Vaughan launch campaign and still wish I’d given our Maybe it’s because I’m a Londoner ad the same treatment.
5. Product viral
   Truly effective viral marketing is not something separate – it’s embedded in the product. A good example is how “sent from my iPhone” is appended to every email.
   The sender doesn’t mind the marketing message as it tells everyone “Look I’ve got an iPhone! Me!!”