No big “come and get yours” sign, but subtle self discovery. I was the first person to arrive and it took me a few seconds to twig why so many names were on the bookshelf.

To give the public what they didn’t know they wanted

Yet Instagram (see my previous post) is way ahead of the pack in popularity and buzz. This fantastic article goes into why. My favourite aspect is about how it deliberately limits its functionality. you can only load one image at a time. Imagine how natural it would seem to add many at once. But that would detract from the product’s simplicity and delight.

Design is finished not when there’s nothing left to add, but when there’s nothing left to take away.

So it was with delight that I got this message from Amazon when starting the Returns process. That’s customer service good enough for me to tell everyone in ear-shot in the office.

Even sweet old Radio 4 is getting in on the act; last night I heard them encouraging people to use the hashtag #r4riot and join in with one of their live shows.

But my favourite example recently is Riz Ahmed, an actor in Four Lions, tweeting live (simultweeting?) along with a screening of the film on TV. What a great way to spread the word and encouraging re-watching. It’s a bit like the audio commentaries you get as extras on DVD, but much more vital.

Instagr.am does just that – it’s the Twitter model of easy microblogging, but based around photos rather than text and it seems to be catching fire by enabling people to broadcast their creativity to friends and strangers in a fast and customisable way.

There’s a need for this. Whereas Facebook’s blithely happy environment pulls towards the mainstream, emerging services such as Instagr.am skew towards the thoughtful and creative. And there’s a place for that.

This video was created as an official response to the Newsweek article calling Grand Rapids a “dying city.” We disagreed strongly, and wanted to create a video that encompasses the passion and energy we all feel is growing exponentially, in this great city.

I bet Grolsch wish they’d thought of it.

via Dangerous Minds

reissued by Grove Press after being out of print for 45 years

Via BoingBoing

Be sure to choose your childhood postcode.

• Use of story
  Appreciation of stories is hard-wired into our beings, and this is a good yarn with arcs, conflict, ambition and resolution. We’re being fed a brand story, but in such an engaging way that we accept it.
• Breaking media format
  They’ve made an ad that is six and a half minutes long. Up until recently, such a length would have been laughably prohibitive, and indeed the days of 60 or even 90 second spectaculars seemed to be on the wane. But of course nowadays, good content spreads on digital channels where media cost is free and not constrained by programming breaks or convention.

thanks to the excellent Word magazine for the spot

The ‘points of view’ (skinhead) ad from the mid 1980s remains the most famous ad from any newspaper and often appears in those lists of top 100 ads. However, viewed as a collection, I think they show the evolution of the brand, becoming notably more sophisticated, entertaining and inventive.

It was a critical task to modernise the paper, shake off the beardy, worthy image and fight the price-cutting Times and the newly-launched Independent. Good marketing, editorial vision, investigative journalism and investment in the product itself combined to strengthen a much-loved media brand and give it a strong platform to compete in the digital era.

Planet of the Apps is a great name for a conference. Getting noticed always matters

If they didn’t, then credit is still due to them as a testamant to the power of their campaign idea